When mounted on a micro four-thirds system it gives the same focal length range as a 70 – 200mm lens mounted on a 35mm camera.

It’s a shame that sharpness isn’t particularly good at f/1.2 and only improves marginally at f/1.4 and f/2. Once you become serious about a specific genre however, the kit zoom on its own is no longer enough due to the generally inferior optical quality and slower aperture range.Portrait photography is one of those genres for which kit lenses aren’t particularly well-suited. It also lacks optical stabilisation, but this matters less than it used to since most Panasonic and Olympus bodies now feature in-body stabilisation.A small quirk that we and other users have noticed is that the lens produces a rattling noise when you adjust the aperture on Olympus bodies but don’t worry – it doesn’t affect the image quality.We bought this lens soon after we started reviewing mirrorless cameras. Vignetting isn’t too much of a concern at the fastest aperture and it disappears by f/4.Unusually for a lens of this price, it has a metal build and comes with optical stabilisation which can also work with Dual IS on select Lumix cameras. But the traditional 85mm is still a great choice. Affordable, lightweight and small – these are the 3 main benefits of MFT lenses, and a fast f/1.8 aperture makes this one a great lens to add to your arsenal. I, personally, have always tried to break away from tradition and tried different things. It has a built in aperture ring, and the lens has very nice build quality, being made of all metal.If you’re serious about portraits on this sensor format, this lens is a must have. Vignetting isn’t too invasive but chromatic aberration and purple fringing are two of the lens’ weak points. Olympus 12-40mm f/2.8 Pro ($999): Superior Versatility!The M.Zuiko Digital ED 12-40mm F2.8 PRO lens offers unmatched shooting versatility. Portrait photography is one of those genres for which kit lenses aren’t particularly well-suited. It is small enough to easily fit inside a coat pocket, yet delivers good sharpness through the aperture range that isn’t far off the expensive options mentioned above.You lose that extra stop of light and the possibility to have more shallow depth of field, but there is still plenty to work with. You're still giving up the optical viewfinder, but more and more midrange models include integrated electronic viewfinders, and that technology has also improved by leaps and bounds.If you have a Micro Four Thirds camera, you've got a lot of lens choices. It is small and features a good all-metal build but there are no electronic contacts so aperture data won’t be recorded. We consider this article “dynamic” in that we plan to update it as new lenses are released. This lens has two extra-high refractive index elements which suppresses distortion as well spherical aberrations.But the best bit of the lens is the fast f/1.8 aperture. This means mainly Olympus and Panasonic cameras, as well as the Yi M1 for example. It is also much larger and more expensive than most of the lenses listed here.The Micro Four Thirds lens catalogue is vast and while we’ve tested most of the lenses available, we haven’t had the chance to try them all. If you're in the market for a new mirrorless body, take a look at the PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. Low dispersion elements tend to suppress for chromatic aberrations. It is very well-built and fully weather-sealed.The downsides are what you’d expect: it is quite large for bodies smaller than the E-M5 II and is quite expensive. The history behind crop factor is long, but what you need to know is that lens focal lengths are … My only word of warning is that it is a little large for the smallest of Micro Four Thirds cameras.A second high-quality lens worth considering is the Leica 25mm f/1.4.

The Olympus M.Zuiko with its 90mm effective focal length closely matches that. The Oly 75mm fills in an important gap in the MFT lineup, giving users a razor-sharp long-portrait lens in the 150mm range. That means you can use the lens in inclement weather.Auto-focusing on the lens is powered by a linear motor. But the best bit about this lens is its fast constant aperture of f/2.8 across the focal length range. That means you can use the lens in inclement weather.Auto-focusing on the lens is powered by a linear motor. Me personally, I sold it and upgraded to the Sony Alpha system althogether, but I still sometimes regret the decision, as I really loved this lens.Now this lens is a medium telephoto one when you consider the 2x crop factor. The larger aperture will give you more room to play with shallow depth of field in comparison to any zoom.Then there is the focal length to consider.

Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology.PCMag, PCMag.com and PC Magazine are among the federally registered trademarks of Ziff Davis, LLC and may not be used by third parties without explicit permission. You may have read that these lenses give a similar perspective to that of the human eye. At f/1.4 it becomes more uniform and the bokeh balls are circular up to f/2.8, though their texture isn’t as smooth (lots of onion rings). It does come bundled with a lens hood however which can help reduce veiling flare in strong backlit situations.We tested the Sony E-mount version of this lens which is identical to the Micro Four Thirds version except that it provides a field of view equivalent to 45mm instead of 60mm. If you click an affiliate link and buy a product or service, we may be paid a fee by that merchant. Prime Lenses With Autofocus Olympus M.Zuiko Digital 45mm f/1.8 Lens: $249

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